Recording, mixing & mastering
Every tracking rate includes the microphone locker, the analogue outboard racks, the house backline, personal headphone cue mixes and an assigned session engineer. Each rate below is the full published figure for the scope it lists.
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Vocal recording, comping & production
$85/hour
Two or three microphone and preamp pairings are auditioned against your voice in the first fifteen minutes, with zero-latency comfort reverb in your headphones. Takes are then comped phrase by phrase and exported as clean tuned or raw stems. Two-hour minimum, engineer and booth included.
- Microphone and preamp shoot-out
- Real-time hardware compression
- Phrase-by-phrase comping and stem export
Suits Solo vocalists, singer-songwriters, hip-hop and R&B artists, and topliners working over a two-track or a multitrack session.
Ask about a vocal session -
Full-band & live-room tracking
$95/hour
Capture real ensemble interplay without bleed headaches. The live room keeps direct sightlines through the glass, so a rhythm section can track together while vocals and guitar cabinets stay cleanly separated. Four-hour minimum, engineer included.
- House drum shells, upright piano and tube amps
- Full microphone-locker access
- Personal headphone cue mixes
Suits Bands and rhythm sections who want to play together with real eye contact.
Ask about a tracking session -
Full-day private studio lockout
full studio day $780
The whole studio is yours for the full studio day: control room, live room and booth. On consecutive days the drum mics and amp tones stay untouched overnight, and a lead tracking engineer runs the day with setup help included.
- Exclusive use of every room
- Backline left mic'd between days
- Lead engineer and setup assistance
Suits Album and EP tracking, string or horn dates, and focused writing-production camps.
Ask about a lockout -
Analogue-hybrid stereo & stem mixing
$320/song
Send multitracks from any DAW or sit in for the final tweaks in the calibrated control room. Every mix passes through analogue summing and hardware bus compression for punch and depth, and ends with full archival deliverables. Attended or remote.
- Analogue summing and bus compression
- Up to three rounds of revision notes
- Main, instrumental, a cappella, TV and grouped stems
Suits Producers and bands with tracks recorded here or at home who want the low end and the lead vocal to sit properly.
Ask about mixing -
Podcast, voiceover, audiobook & ADR suite
$130/hour
Skip living-room echo and HVAC rumble. Up to four hosts and guests record at once on broadcast dynamic or shotgun condenser chains, with remote guests patched in and a remote producer able to monitor live.
- Up to four broadcast microphone chains
- Remote-guest patching
- Clean isolated tracks and loudness-levelled mixes
Suits Podcasts, commercial voiceovers, audiobooks and film dialogue replacement.
Ask about the voice suite -
Album, single & vinyl mastering
$95/track
The final translation step between your mix and every playback system, from earbuds and car stereos to club PAs and vinyl lathes, run through mastering-grade converters and stepped analogue dynamic EQ. EP and LP bundle rates are available.
- 24-bit high-resolution streaming masters
- DDP images with embedded ISRCs
- Mono-bass-checked vinyl sides
Suits Singles, EPs and albums heading to streaming, CD or a pressing plant.
Ask about mastering
From enquiry to downbeat
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01
The project
Tell the studio about the song count, the reference records, the lineup or the mix track count, on the contact form or by telephone.
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02
The input sheet
Rough demos, BPMs and backline notes are shared so the right engineer and microphone setup are matched, and lines are patched before your billed time starts.
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03
The dates
A 50% deposit reserves the block on the calendar. The website sends the request; the dates are held once the studio confirms them.
Deposits & file hand-over
A 50% session deposit reserves your studio block, and rescheduling is free with at least 72 hours’ notice before the downbeat. Bring an external SSD or USB-C drive to leave with complete consolidated WAV files at wrap.
Hold a room
Pick the session that fits, send the lineup or the stems you have, and the studio confirms the engineer and the dates in writing.