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Tracking, mixing & mastering · Austin

Tuned rooms, real takes

Plugins do remarkable things, but nothing replaces a great drum room, a Class-A preamp on the way in and an engineer who keeps the room relaxed. On Afterglow Court in Austin, bands, solo artists and voice talent track and finish records built to translate everywhere.

A mixing console in a darkened control room, its channel strips picked out by coloured indicator lights.
The control room desk, patched and line-checked before the first downbeat.

Tracking, mixing & voice rates

Straightforward hourly sessions, full-day lockouts and per-song mixing and mastering, always staffed by a house engineer who sets up before your downbeat.

  • Vocal recording, comping & production

    Floating vocal booth, a tube and FET condenser shootout, real-time hardware compression and clean playlist comping.

    $85/hour

    Vocal session details
  • Full-band & live-room tracking

    32-channel Class-A tracking across the tuned live room and two sightline iso booths, house drum kit, tube amps and personal cue mixes.

    $95/hour

    Tracking session details
  • Analogue-hybrid stereo & stem mixing

    Hardware bus compression, analogue EQ warmth, precise vocal editing, three revision rounds and full instrumental, TV and a cappella stems.

    stereo or stems $320/song

    Mixing details

All 6 services and rates

Signal paths checked before you arrive

Nothing drains a session faster than spending the first ninety paid minutes chasing a scratchy patch cable or a buzzing headphone cue. Before you load in, the crew patches and line-checks drums, vocal chains and personal cue mixers from your pre-session sheet, so the red light goes on while the idea is still fresh.

Inside the control room & mic locker

Tuned monitoring, Class-A preamps and hardware compression within arm's reach of the mix position.

  • A digital mixing console in a dark room with its channel meters lit.
    Digital desk with lit channel meters, set to your input list before the first take.
  • A control room with a long analogue console, monitor speakers above it and an empty chair at the desk.
    Analogue console framed by nearfield reference monitors and the main soffit speakers.
  • A close view of two condenser microphone grilles under warm light.
    Condenser pairs from the mic locker, auditioned against your voice in the first fifteen minutes.

The full gallery

Engineers & producers

Calm, musical ears at the desk, and the people who keep the signal chains working.

  • A tall equipment rack in a dark room, its receiver displays lit green and amber.

    Noor Haddad

    Founder and vocal producer

    Vocal producer and multi-instrumentalist coaching breath, harmony stacks, natural pitch polish and phrase-by-phrase comping.

  • A close view of a studio monitor grille and cabinet.

    Vikram Shah

    Lead tracking engineer

    Avid-certified Pro Tools HDX operator and drum-sound specialist running full-band live tracking and multi-day lockouts.

Everyone at Afterglow Recording House

Notes from artists & bands

  • Noor tested three mics against my voice in ten minutes and pulled the best vocal performance I have ever put on record.

    Elliot N.

  • We tracked ten live rhythm-section songs in four days because every mic and headphone cue was dialled in before we had poured the morning coffee.

    Rosa O.

  • I sent bedroom-tracked stems remotely and got back wide, punchy mixes that held up against the playlist references I had chosen.

    Jonah L.

All 6 reviews

Lockouts, stems & backline

Is an engineer included in the rate?

Yes. A house tracking or vocal engineer comes with every hourly session and lockout. Guest engineers are welcome, and a house assistant still handles the patchbay at no extra charge.

Which instruments come with the room?

The tuned upright piano, the house drum shells, the tube guitar amps, the bass rig and the full microphone locker. Give 24 hours’ notice if the piano needs fresh tuning.

How should tracks be exported for remote mixing?

Consolidated 24-bit WAV files, all starting at bar one, at the session’s native sample rate, with master-bus limiters bypassed and every track clearly labelled.

How do deposits and rescheduling work?

A 50% deposit holds the dates and the balance is settled at wrap. Dates move without penalty with at least 72 hours’ notice.

All 8 questions

Put the red light on

Send the song count, the lineup and a rough demo link, and the right room and engineer are matched before your first downbeat.

Notices from the studio

An occasional note when rates change, the gear locker grows or a lockout date opens. Only an email address is needed.

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What the price includes
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