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Minneapolis, Minnesota

The sitting happens here before anything is generated

Northlight Headshot Studio photographs a real sitting under controlled light, then builds a headshot set from those photographs. The scope and the price are confirmed before the session is held.

A small photography studio with a lighting stand, a folded reflector and a stool standing ready on a bare floor.
The studio set up for a sitting, before anyone sits down.

The six services

Every service has a written scope, a published price and a stated turnaround. Where a price begins with “from”, the final figure is confirmed before the sitting is booked.

  • Single-role headshot set

    A forty-minute sitting in the studio, photographed against one background family in one outfit, followed by a generated set of forty finished frames built from that sitting.

    $185

    Three business days

  • Multi-look headshot set

    A ninety-minute sitting covering two or three changes of outfit and up to three background families, generated into separate sets so each look stays distinct.

    from $265

    Four business days

  • Retouch and revision pass

    A second pass over a set the studio has already delivered.

    $90

    Two business days

  • Likeness capture sitting

    The photographic half on its own: a forty-minute sitting under controlled lighting, delivered as the raw capture set with no generated frames.

    $120

    Capture files within one business day

  • Framing and wardrobe consultation

    A seated appointment with no camera and no lights: the intended use is talked through, wardrobe and framing are discussed against what the studio can actually produce, and the studio says which of the six services fits and which parts of the intended result are not reachable.

    $60

    Booked as a thirty-minute appointment

  • Team roster session

    Consecutive sittings for a group, run to one lighting setup and one background family so a roster page reads as a single set.

    from $140

    Five business days after the last sitting

How Northlight Headshot Studio works

The intended use is taken first, in words, and read back before a date is held. Every set begins with a photographic sitting in the studio, because the generated frames are built from those photographs and from nothing else. What the studio can and cannot reach is said at that point rather than after delivery.

The room, the light and the tools

Eight photographs of the studio itself. Every one of them is a real photograph; none of them is a generated image, and none is presented as a set delivered to a customer.

  • A darkened studio with a white cyclorama wall lit by overhead lamps and a softbox on a stand.
    A white cyclorama and overhead lamps give a clean, even background for a seated sitting.
  • A black studio backdrop flanked by two softboxes on stands above a swept white floor.
    A dark backdrop between two softboxes, the setup used for higher-contrast sets.
  • A colour-checker chart standing on a studio floor under even lighting, used to set colour before a sitting.
    A colour-checker chart is photographed first so skin tone is measured rather than guessed.

The people who do the work

Four people run the studio between them. A visitor may ask for a particular one through the contact form; availability is confirmed separately.

  • A wooden field camera mounted on its wooden tripod, photographed against a plain grey background.

    Marisol Treviño

    Founder and lighting director

    Sets the lighting for every sitting and decides which of the six services a brief actually fits. The role exists to keep the photographic half honest: the generated frames can only carry what the sitting gave them, so the sitting is where the attention goes.

  • The same wooden camera tripod seen from a second angle against a plain grey background.

    Aaron Whitfield

    Studio photographer

    Runs the sittings themselves, including the team roster days. Works through framing and expression at the chair and keeps a written note of what was covered, so the generation stage is working from a record rather than a memory.

  • A small digital camera mounted on a flexible-legged tripod.

    Priya Raghunathan

    Retouch and likeness lead

    Reviews every generated set before it is delivered and runs the retouch and revision pass. Frames that drift from the person photographed are discarded rather than sent, and anything the studio cannot correct is named in writing instead of quietly left in.

  • A large deep parabolic softbox on a heavy stand, with the strobe head fitted at its centre, standing in the studio.

    Desmond Clay

    Studio coordinator

    Reads incoming enquiries against the six services, gathers the details needed for a useful reply and arranges the sittings. This role confirms that the contact form begins a conversation; it does not hold a time.

What customers have said

  • The intended use was discussed before anything was booked, and the studio was clear about which service actually fitted it.

    Bettina N.

  • The sitting was unhurried and the turnaround matched what had been quoted. Nothing arrived later than the date given.

    Ravi O.

  • Frames that did not look right were raised by the studio first, before the set was delivered, which was not what had been expected.

    Dessa L.

Four questions, answered plainly

How should a visitor choose a service?

Start with the service descriptions, the prices and the stated turnaround. Contact the studio when two options appear equally suitable.

Are the displayed prices final?

Published prices apply to the stated scope. Any “from” price is confirmed in writing before a sitting is held.

Does the studio photograph people, or generate them?

Both, in that order. Every set begins with a real sitting in the studio, and the generated frames are built from those photographs and from no other source.

Can a visitor request a specific member of the studio?

Yes. Use the contact form to name a preferred person; availability is confirmed separately.

A question about a service, a sitting or a price

The contact form takes a question and sends it to the studio. Book goes to the arrangements page; neither one confirms a time by itself.

Occasional notes from the studio

An email address only, used to send occasional notes about the studio. No offers chased by a countdown and no third party.

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