The room, the light and the equipment
Eight photographs with a factual caption on each. They show the studio a sitting happens in. Every one is a real photograph; none is a generated image, and none is presented as a set delivered to a customer.
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01 A white cyclorama wall and overhead lamps give an even, neutral background that keeps attention on the face. -
02 The dark backdrop between two softboxes is the setup used when a brief calls for higher contrast. -
03 A colour-checker chart is photographed at the start of a sitting so skin tone is measured rather than estimated later. -
04 A softbox, a chair and a laptop are enough to run a sitting away from the studio on a team roster day. -
05 A painted backdrop and a single reflector lamp: the oldest arrangement in portraiture, and still the one a headshot uses. -
06 Rolled backdrops on their rail, a black curtain and the white sweep beyond. The colour behind a headshot is chosen here, before anyone stands on the floor. -
07 The main shooting bay with the white sweep rolled down and the overhead rig loaded. Most sittings are lit and framed from this spot. -
08 A softbox on its stand with the strobe head at the centre. This is the key light for most sittings, set close and just above eye level.
A question about a service, a sitting or a price
The contact form takes a question and sends it to the studio. Book goes to the arrangements page; neither one confirms a time by itself.