Dressed, not decorated
An evening look shaped on the form before the final fitting — styled by Margot.
Cut in the workroom
Patterns drafted and cloth cut by Idris, steps from the fitting rooms — nothing is sent out.
Pinned before it's sewn
Every seam pinned and itemised on your fitting ticket before a needle touches the cloth.
Down to the last bead
Beading and lace lifted and resewn by hand whenever a bridal hem or train is shortened.
Finding the palette
A colour analysis result that turned a wardrobe of 'maybes' into a yes.
Sewn by hand
Pick-stitched edges and hand-worked buttonholes — the last ten per cent is where the work shows.
Everything in its place
Patterns drafted by hand to your posture, then archived on your client card for reordering.
Everyday tailoring
Every alteration starts here — horn, corozo or shell, the right button for the right cloth.
Inside the studio
Where the fittings happen — hanging rails, good light and better coffee.