Wilder & AshProvidence RI Book
Sections

Salon portfolio

Cuts at the chair, the basin and the salon floor

Precision cutting at the chair, the wash basin, a daylight styling floor and the shears that decide how a line sits, alongside the old hairdressing rooms Wilder & Ash Hair Salon learned its trade from. Every colour formula and every cut is judged in natural light before anyone leaves.

Inside the salon and the work at the chair

A museum hairdresser's room with a wooden counter, a mirror, a wig block and a chrome hood dryer on a stand.
Plate 01A hairdresser's room kept as it stood, with a wooden counter, a wig block and a chrome hood dryer. Training certificates on the wall still matter here: every stylist is state-licensed and colour-certified.
A black backwash basin set into a wooden plinth, seen close up.
Plate 02The backwash basin, where deep masks, steamed scalp treatments and the ten-minute scalp massage happen. The water is run to temperature before anyone leans back.
A 1934 hairdressing room with two hood dryers on stands, tall mirrors and four chairs.
Plate 03A hairdressing room in 1934, with two hood dryers, four chairs and a plant. The chemistry has moved on since: every lightening service today includes bond protection as standard.
Several pairs of haircutting shears arranged on a dark wooden rack.
Plate 04Haircutting shears on a rack. Blade length changes how a line sits, which is why a precision cut or a dry curl cut uses more than one pair.
A bright salon floor with styling chairs, round mirrors, a wooden reception counter and basins at the back.
Plate 05A bright, daylight-filled salon floor with the basins at the back and chairs spaced along the mirrors, so every colour formula is checked under true natural light.
Two stylists cutting at neighbouring stations, each client caped, reflected in the mirrors.
Plate 06Two precision cuts running side by side. Each stylist checks the shape in the mirror from both sides, so the line still sits right when it air-dries at home.
A museum hairdressing room with dark wooden cabinetry and a mirrored cabinet behind a rope barrier.
Plate 07Dark cabinetry and a mirrored cabinet from an old salon. The mirror is where every consultation starts: the guest sees the shape and agrees the plan before the cape goes on.
A stylist shaping a seated client's hair with his fingers and a comb before cutting.
Plate 08Reading the hair before cutting. Lifting and dropping it shows where it falls on its own, so internal weight can come out without thinning the ends.

Talk to the salon

Bring a picture, leave with a plan

Describe the hair you have and the look you want, and the reply names the service that fits and its price. Big colour changes start with a complimentary 15-minute consultation.

Book an appointment Send a message Email the salon

The column

A short note when the salon changes something

Holiday hours, a stylist joining or leaving, a price that moves. Two or three notes a year and nothing else.

The privacy notice explains what happens to the address.

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