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The room team

Four people run the rooms at Afterglow Court, and the record below names the sessions each role takes and how the work is handed over at the end. A preferred person can be requested on the contact form, and availability is confirmed separately.

  • A tall equipment rack in a dark room, its receiver displays lit green and amber.

    Noor Haddad

    Founder and producer

    This role shapes the session plan from the reference track and intended result, then keeps the scope clear before the room is prepared. It is responsible for production choices, hand-over expectations and deciding when an engineer-assisted session is the better fit.

  • A close view of a studio monitor grille and cabinet.

    Vikram Shah

    Recording engineer

    This role prepares signal paths, microphone positions and monitoring before recording begins, then keeps the take sheet and session files ordered. It is responsible for technical continuity in vocal production and for explaining what is included before a session changes direction.

  • A condenser microphone in a shock mount, with microphone stands out of focus behind it.

    Greta Lindholm

    Mix engineer

    This role listens through an existing mix on the control-room monitoring, records section-by-section observations and separates technical faults from preference. It is responsible for a useful written hand-over while keeping consultation distinct from an unapproved mix revision.

  • A control room in deep red light, with a large console and coloured patch cables.

    Priya Raman

    Session coordinator

    This role turns the enquiry into a practical room plan by confirming the participant count, input list, rough hours and delivery format. It is responsible for preparation notes and for making clear whether a podcast setup or live-room-only request matches the published rate.

Where the team concentrates

Each role covers a defined part of the session. Use the contact form to name the intended result rather than an individual; Afterglow Recording House will confirm which role fits the work and the date.

Describe the result

A short description of the intended result, the people in the room and the rough hours is enough to have a service named and a rate written down.

Notices from the studio

An occasional note when the rate card or the room changes. An email address and nothing else.

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