IronlinePortland ME Book
Sections

Collector & client stories

Healed work, told by the people wearing it

Real experiences from first-timers and long-time collectors. Each note names the style it refers to and the artist who drew it.

Client stories

Studio detail: an engraved coil tattoo machine on a plain white ground.

Lena & Sam T.

One-off flash & consultations

No. 01

“My partner and I booked back-to-back afternoon sessions from Jun and Cass's flash books on our anniversary. We loved knowing each flash drawing is retired once someone claims it, rather than stamped on fifty other people. Friendly, calm studio, snacks at the counter, and crisp linework on both of us.”

Studio detail: a rollomatic liner machine with its frame and springs in full view.

Dev J.

Traditional & neo-traditional

No. 02

“Cass tattooed a folkloric fox and autumn oak leaves on my outer calf. Watching them unseal every cartridge needle from its sterile pack and wrap every cord gave me total confidence, and the vegan red and ochre healed bright on my medium-olive skin in twelve days.”

Studio detail: a tattooing implement from Vanuatu, from a museum collection.

Sasha P.

Blackwork, ornamental & dotwork

No. 03

“A sternum and under-bust ornamental piece can feel vulnerable to book. Eli set up a private bay with soft drapes without my asking, drew the centre transitions freehand to match my rib symmetry, and checked on my breathing every twenty minutes. Worth every dollar.”

Studio detail: a carved uhi chisel laid flat on a white ground.

Rowan K.

Custom large-scale sessions

No. 04

“I spent two years researching artists before booking my botanical-and-raven sleeve with Mara. Across four sessions in five months, from the free mapping consultation to the last shading pass, I was billed for needle time only, never stencil setup or lunch. The stencil was moved around my elbow crease so the wings open when my arm bends. It healed crisp in one pass.”

Studio detail: a macro photograph of a needle laying a black line.

Claire B.

Fine-line, botanical & woodcut

No. 05

“I worried I would feel out of place walking in at forty-two for my first tattoo, a three-inch sprig of rosemary and lavender for my grandmother. Jun greeted me warmly, printed three stencil sizes so I could compare them in the mirror without rushing, and explained every step first. Two years on, every tiny leaf is still razor-clean.”

Studio detail: a painted tattooist's case standing open, with a machine and ink bottles inside.

Theo M.

Cover-ups & reworks

No. 06

“A faded tribal band from college had kept me out of short sleeves for a decade. At the consultation Mara laid tracing paper over my shoulder to show how dark peony leaves and neo-traditional shading would swallow the old lines while leaving open skin at the edges. You genuinely cannot find a trace of the old tattoo.”

Talk to the studio

Picture your own piece on this page

Every note links to the style it refers to. A message describing your idea gets an answer about which artist and style fit.

The column

A short note when new healed work goes up

Holiday hours, new flash, an artist joining or leaving, a rate that moves. Two or three notes a year and nothing else.

The privacy notice explains what happens to the address.

This is a demo design, not a real business.Make this design yours for $499 with EZWebee.
What the price includes
The price includes 5 hours of extra work to change the colours, the font family and the font size, add or remove pictures and paragraphs, and add visual effects and other tweaks. The design is 100% finished before anything is paid. Guaranteed.